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by Yvette Depaepe
Published the 28th of October 2024
Mohammad Dadsetan's work is excellent and varied. He quotes: "If I were to consider myself a style follower, I would definitely consider myself a minimalist, which of course has been mentioned by the audience and experts of this style, but I do not limit myself in any way to any style, genre or format and I am free to do whatever I want". Mohammad is very good when it comes to conceptual, creatively edited images, he gets ideas from movies, from the work of other artists, and maybe in a word, from life! Find out more about the man behind his photographs and enjoy this interview.
'Unlock Gate'
When and how did your photographic journey begin?
I started photography in 2007 with a mobile phone and tried to learn by trial and error and by looking at other photographers' work.
'Darkness to Darkness'
For many of us, photography is either a hobby or a way of life. How would you define your relationship to photography?
For me, it's mostly the first option, and the reason is this: I've never thought of photography as a profession or a source of income. People whose profession is photography travel a lot and live their lives around photography, which they organise. My studies are in the field of music and photography is very serious for me, but it has always been an artistic pastime or perhaps an artistic game!
'News Gesture'
What would you say is the most important experience that has influenced your steps in photography?
Perhaps my background in graphic design, which dates back to before I started studying photography, has had the greatest influence on my vision and has helped me a lot in this field.
'Off Road'
You have your own style, but your work is very diverse. I see landscape photography, street photography, portraiture and creatively manipulated photography. Can you explain why that is?
If I were to consider myself a style follower, I would definitely consider myself a minimalist, which of course has been mentioned by the audience and experts of this style, but I do not limit myself in any way to any style, genre or format and I am free to do whatever I want.
Of course I do not recommend this to anyone! At least I don't recommend it to beginners and students :)
'Twisted Mountain'
What is more important to you, the mood/story behind your images or the technical perfection?
Of course all three are important and play a role in the creation of the artwork, but since you asked which is more important, I have to say: I feel that the story or narrative is always considered the most important part of the artwork, and other elements or factors, along with a particular narrative, cause the capture. And the transmission is better and more stories.
'Tik Tak'
What is your relationship to your subjects in general, beyond that of an observer?
Do you carefully prepare the places you want to photograph?
Being an observer is the first and so-called beginning of any work, you have to see and see properly so that the relationship ends from the outside to the inside and understanding, of course this case changes according to the subject.
If it's landscape photography, I explore the area first and try different angles, and if it's street photography, I wait a bit to get to know the movement patterns of the people there and take pictures from different angles.
In portrait photography, I communicate verbally with the subject and try to break their ice and show their true self or the best shot!
In minimal photography, the location is more important than the subject, and I believe that the choice of location and framing in this style is more important than the choice of subject, and in fact what creates or shoots a minimal work is the photographer's approach to a location.
'Tree Baam'
Describe your general photographic vision.
Maybe because I don't have an exclusive genre, so I don't have anything as a general vision of photography, because I feel that it limits me and puts me in a hard format, but in a more general expression, maybe my general vision in photography or any other art: shot an artistic, eye-catching and engaging.
'Gold Spin'
Could you please tell us a bit more about your workflow from idea to final product?
It's a bit difficult :) But I try my best.
For the work that has creative editing and falls into the conceptual or fine art genre, I get ideas from the movies I watch, the work of other artists, scrolling through Instagram or photo sites, etc, and maybe in a word, from living!
'Layers Land'
Where do you find inspiration and what inspires you most?
The first requirement for creating a work of art is visual literacy, followed by the mastery of technical subjects, which are of course complementary and must grow together. Visual literacy is formed by seeing the works of elders, studying and, most importantly, the type of lifestyle that is formed in addition to the world view of each person (artist).
If these two components are cultivated, it can be said: You will no longer look at everything with an analytical eye and be inspired by everything!
'Marionette'
Many people think that the equipment is not very important when the passion for photography is strong. But can you please tell us what equipment you use (camera, lenses, lighting, tripod, etc.)?
Yes, that's a good point.
I've had many cameras and mobile phones over the years and used them to take photos, but at the moment I have a Nikon 5300 with an 18-140mm kit lens and I still shoot with my Samsung A33 mobile phone.
For portraits, I use tripods and lights that have no specific brand or model.
In general I do not have any special equipment :(
'Beard Luke'
What would be your favourite photo? Please tell us the story behind it.
I don't have a particular photo in mind, I'm not even looking for photos of a specific genre or style, I am ecstatic to see a good documentary photo that narrates the hardships or happiness of human life to a minimal artistic photo.
Who are your favourite photographers or mentors whose work has influenced you and your photography?
I love the work of all your veterans in all genres, I look at them with eagerness and eagerness to learn, but there are three masters who are exceptional street photographers and whose work really appeals to me: Alan Schaller, Ando Fuchs and Kai Ziehl.
Now that we have almost reached the end of this interview, I would like to ask you to tell us about any plans or photographic projects you would like to be involved in.
I have always been interested in travelling to countries that are at the forefront of modern urban development and have wonderful locations for street photography, I feel that new locations can breathe new life into the work of any photographer and can be the starting point for a new chapter in his artistic life.
'Tower Frame'
Is there anything else you would like to add and what do you think of 1X as a home base for your work?
I am always jealous of the love and affection that the group of creators and managers of this gallery have, and I am grateful for your warmth and for the platform you have provided to showcase the work of photographers from all over the world.
My deepest gratitude for this great opportunity to share my work with the 1x community through this interview.
'Light Line'
'Street Singer'
'Bulgy, Ladder Version'
'Into the Spiral'
Regards.
Mohammad Dadsetan
Write |
Linda Lu PRO Very unique and creative pictures, an excellent interview, congratulations! |
Mabel Cedrón PRO Congratulations for your brilliant work, Mohammad
I share your taste for minimalist scenes, and behind yours there is great work. Thank you once again dear Yvette for bringing us closer to such talented photographers. |
Yvette Depaepe CREW I' so pleased to be able to bring talented photographers closer, Mabel. Cheers, Yvette xx |
brigitte van krimpen PRO Stunning pictures and a great portfolio, congrats |
Wael Onsy PRO great collection , thanks a lot for your art and thanks Yvettte for your article |
Yvette Depaepe CREW Thanks for your appreciation, my friend! |
Sthepenomis PRO Great pictures! Congratulations Mohammad! And thanks for the article Yvette! |
Yvette Depaepe CREW My pleasure, dear friend!
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Montserrat Alviani PRO An excellent article with great images! |
by Editor Kimberly
Edited and published by Yvette Depaepe, the 25th of October 2024
'Fall' by Katarina Holmström
Fall is one of the most beautiful times of the year to capture nature's vibrant transformation. The rich tapestry of reds, oranges, yellows, and golds provides a perfect backdrop for stunning photography. Add a little colour to your world before winter with images of autumn leaves, foggy mornings, reflections in still waters, pumpkin patches and other seasonal harvests. Portraits of wildlife, pets and people are enriched with a backdrop of rich autumn colours and soft light.
'Forest' by Amador Funes'
The window for peak fall colours is short, so plan ahead. Research when leaves in your region are at their brightest, usually between late September and early November, depending on your location. Early mornings and late afternoons are ideal for shooting because the soft, golden light enhances the warm hues of fall.
'Castle in autumn leaves' by Ryota Kawaguchi
A polarizing filter is an excellent tool for fall photography. It reduces glare from water, leaves, and sky while boosting the contrast and colour saturation. This can make the reds and oranges pop more vibrantly and deepen the blue of the sky, creating dramatic, eye-catching images.
'The Morning of Wadge Pond' by Yongnan Li
Bodies of water, such as lakes or rivers, can offer a stunning reflection of autumn trees, doubling the impact of the fall colours. Try to capture the stillness of the water to create a mirror effect, or experiment with slight ripples to add an abstract quality to your image.
'autumn colours' by Hilda van der Lee
One way to add a magical glow to your fall photos is to shoot with the sun behind the leaves. The sunlight filtering through the foliage can illuminate the leaves from behind, creating a luminous, almost ethereal effect. Try different angles and positions to highlight the backlit colours without overexposing the image.
'Baby Orpheus' by Dorte Irene Sattrup Lund-Nielsen
Look for opportunities to frame your subject. Trees and leaves can naturally create frames around mountains, rivers, or even people. By using the colourful foliage as a frame, you can guide the viewer's eye to the main subject of your photo, while keeping the autumn theme strong.
'morning glow' by Kenichi Higashiyama
Incorporate contrasting elements into your fall photos to make the colours stand out. Bright red and orange leaves against a deep blue sky, for instance, can create a vibrant, eye-catching image. Look for contrasting textures too, such as soft leaves against rugged rocks or smooth water surfaces.
'One Autumn' by Shihya Kowatari
While wide landscapes are stunning in fall, don't forget the beauty of details. Zoom in on individual leaves, clusters of foliage, or other small elements like acorns, mushrooms insects or animals. Isolate your subjects and capture intricate textures and colours that are often overlooked.
'Dinner is served' by Heymans Tiffany
And now a few more colourful fall images from our members that should not be overlooked!
'Autumn Morning Glory' by Grateful Journeys Photography
'Stage REM ~Phantom of [White Horse]' by Yasutaka Sameshima
'Autumn 2024' by Christian Lindsten
'Trees in Fog' Martin Morávek
'Dance of Equinox' Isaokonno
'Fog spreads' by Masaki Sugita
'Autumn fruits' by Sergio Barboni
'Cerro Torre in pink glow of early moring light' by Lijuan Yuan
Untitled by Kimberly
'Woodland cottage' by Tiberiu Scarlat
B.Balaji PRO lovely colours painted by nature |
Linda Lu PRO Lovely pictures with practical advice, thank you Kimberly and Yvette! Congratulations to all the photographers!
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Sunny Lin PRO Very comfortable picture, wonderful catch, well done, congratulations! |
Stefano Cicala PRO Fantastic work! |
Colin Dixon CREW Wonderful !!!! |
Yanyan Gong PRO Beautiful collection! |
Miro Susta CREW Wonderful photo selection, lovely colorful fall greeting, thanks Kimberly for bringing it to us, thank you Yvette for publishing it. |
Carmine Chiriacò CREW Amazing images!!!
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Great photographs |
Ralf Stelander FOUNDER Really excellent images with a nice fall mood. |
Kimberly CREW Thank you Ralf! |
Subhajit Das PRO Great work. Many Congratulations. |
Kimberly CREW Wonderful colors in these images, thanks to all |
TKR PRO 幻想的でどれも素晴らしい
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Kimberly CREW Thank you! |
大山 儀高 PRO 素晴らしい作品ばかりでした。記事にして頂き本当にありがとうございました。 |
Kimberly CREW you're most welcome! |
Sunil Kulkarni PRO Excellent Photos - love each one of them. |
Kimberly CREW Thanks Sunil |
By Editor Peter Davidson
Edited and published by Yvette Depaepe, the 24th of October
We are introducing a new feature specifically for those shots that have been overlooked by our many mysterious and secretive curators for an Award.
Each Thursday, one shot from the current gallery of Published (but not Awarded) images will be displayed here in the Magazine. We hope you enjoy the images chosen and the authors gain some much improved visibility of their work. And who knows, whisper it softly, maybe one of these shadowy curators might have a softening of their cold dark hearts and even Award the image...
Linda Lu PRO So cute, very cozy! |
Sunny Lin PRO What a lovely piece. Congratulations! |
Carmine Chiriacò CREW Really beautiful! |
Bole Kuljic PRO Meaningful recognition. Excellent moment and capture. |
Kimberly CREW good choice. |
Stefan Buder PRO Very nice. Great work. |
Mei Xu PRO It is very cute and beautiful. |
Robert Žumer PRO Odlično, lepo. |
TRUE; very good work |
Maria PRO Thank you, I really appreciate it |
by Yvette Depaepe
Published the 23th of October 2024
'Man's best friend'
Photographing dogs must be relaxing and fun. Changing perspectives, getting the right light, relating to them, focussing on the eyes. Therefore, we can offer toys and treats, anticipate and most of all: we have to be patient. According to the submissions, this was a delightful challenge.
The winners with the most votes are:
1st place : Derya Doni
2nd place : Luciano Caturegli
3rd place : Miguel Silva
Congratulations to the winners and honourable mentions and thanks to all the participants in the contest 'Man's best friend'
The currently running theme is 'Shadows'.
Part of the power of shadows is how they can cast ordinary objects in a new light. It is popular in minimalist photography, or using it as negative space in B&W images. Architecture photography, street photography, and fine art photography also make frequent use of shadows to create geometric or abstract shapes.
This contest will end on Sunday the 3rd of November at midnight.
The sooner you upload your submission the more chance you have to gather the most votes.
If you haven't uploaded your photo yet, click here.
Good luck to all the participants.
1st place : Derya Doni
Sunny Lin PRO Brilliant capture, soul piercing, well done, congratulations! |
Subhajit Das PRO Beautiful and touching! Congratulations! |
Miro Susta CREW Lovely photos |
Linda Lu PRO Lovely and touching! Congratulations! |
Gabriela Pantu PRO Congratulations!Wonderful emotional pictures!<3 |
Grigore Roibu PRO Beautiful! Congratulation! |
by Yvette Depaepe
Published the 21st of October 2024
Damijan Sedevcic's street photography is strong and unique. He tries to show our world in a different way. He quotes: „Every city, even the smallest, has its own charm, streets and people that deserve to be noticed and photographed. An eternal moment of people passing by, strangers who most of the time don't even notice you. Whether in the glorious morning light, in the shade or in the rain, hidden under umbrellas. This is the essence of street photography, and when it all comes together, it's perfect.“ Damijan is convinced that photography will survive. His answer to the question of whether we will give in and surrender to AI is 'absolutely not'. Art photography in general will survive and exist. Especially because of the young enthusiasts who are returning to the roots, to the beginning. To the analogue waters, to the roll of film. They are trying to use the old to create something new and, according to Damijan, they are succeeding. Follow me to find out more about the personality behind the images in this interview.
'the pianist'
Dear Damijan, please introduce yourself and tell us about yourself, your hobbies or other projects you are involved in.
I was born in 1969 in Nova Gorica, Slovenia, close to the Italian border, where I live and work. Photography has always been close to me, at first more casually, but with the advent of the digital era new paths and directions opened up. I enjoy researching and experimenting with techniques that are less commonly used, such as multi-exposure or long exposure with simultaneous camera rotation (icm). Genre-wise I have a strong connection to street photography, the play of shadows, light, reflections on wet streets after rain and interesting people in the local environment. The spirit of old times, dusty buildings and long abandoned spaces have a special photographic place for me. Occasionally, although too rarely, I also like to photograph concerts. I have been a member of the local photography club for many years. During this time, I have prepared several solo exhibitions and participated in several group exhibitions and competitions. In 2017, the Artistic Council of the Slovenian Photographic Union awarded me the title of Master of Photography.
'city escape'
Your street photography is excellent, both in black and white and in colour. All your images have your signature, what does street photography mean to you?
Thank you, I always try to show our world in a different way. Every city, even the smallest, has its own charm, streets and people that deserve to be noticed and photographed. An eternal moment of people passing by, strangers who most of the time don't even notice you. Whether in the wonderful morning light, in the shadows or in the rain, hidden under umbrellas. This is the essence of street photography, and when it all comes together, it's perfect.
'my umbrella'
What drew you to street photography and how did you discover it?
Like everyone, or almost everyone, I tried my hand at classic photography, nature, landscape. The transitional phase, which still holds my interest, was photographing abandoned, half-demolished and sometimes dangerous buildings. After experimenting with multi-exposure photography, a new door opened and in combination with my post-production, I found my personal touch.
'evening in Venice'
What do you think makes a memorable street photograph?
I find that many street photographers have very different approaches, even to the same subject. From pure reality, not to say postcards, to mysticism and abstraction, to different processing techniques. All this makes for an unforgettable impression of the street.
'on the bridge'
Can you describe your overall photographic vision, Damijan?
My question is: can photography survive? Will we give in and surrender to artificial intelligence? Absolutely and certainly not. Art photography in general will survive and exist. Especially because of young enthusiasts who are returning to the roots, to the beginning. To the analogue waters, to the roll of film. They are trying to use the old to create something new. And I can say that they are succeeding.
'...my umbrella'
How important is content versus form in street photography? Do you personally think one is more important than the other?
The content is the person you are portraying in the photo. Although it is possible that only a shadow or a silhouette gives us a story and a thought: where, why, who... so the form complements the content and vice versa. Hand in hand.
'...red suitcase'
What do you want viewers to take away from your work?
I prefer to avoid classic reportage photography. I don't look for or need gruesome, hard moments, although I respect this genre and the photographers who do it. I just want to freeze the moment in a positive way, even if it seems dark at first. If someone tells me that my work is dark but beautiful and special, then I am satisfied.
'day in Venice'
What do you think are some of the clichés in street photography that you avoid?
We all know how difficult it is to do something new and original. The world has become small, with one click we can see photos from all over the world. Thousands and thousands of them. I know that the footstep of a stranger and his shadow may be a cliché. It's seen countless times, because the shadow of a step remains a shadow, everywhere in the world. But I try to present that shadow in my own way.
'..echoes'
What were the difficulties you encountered when you first started street photography and what advice would you give to beginners?
People on the streets of a city are all different. Some don't like the proximity of the photographer. Just by looking at the camera, they become numb or withdraw. Others are happy to jump in front of the camera or are completely indifferent. Especially in places where people do not like the camera, it is important to have the right amount of discretion, politeness and understanding. It is always a dilemma to capture moments where the person in the foreground might be too recognisable and to decide whether or not to publish the photo. Most of the time we don't publish it, but when we do, it should be the person, beautifully presented in a beautiful moment. In short, with a sense of beauty. My advice or rule for everyone and especially for beginners in street photography is: always plan and expect the unplanned... and always have your camera on and ready to shoot.
'unknown'
Who are some of your favourite photographers and how have they influenced you?
We all know Bresson, who created the concept of street photography. Once upon a time. He and his contemporaries are written in history and their work is like a book we should learn from. Maybe it's easier now, in the digital age, where everything is at our fingertips. That's why there are a lot of authors I follow, at least occasionally. I admire and try to understand the way they work, but I also try to do something new. Although it is very difficult to be original all the time.
'on the stairs'
When you are out shooting, how much of it is instinctive and how much is planned?
We photographers have our favourite spots, places where we can get a good shot. The shot of the decade. Street photographers in particular can be stubborn and persistent. Me and my photographer friends have been visiting nearby Venice and Trieste for years and we always succeed. Although the route to these familiar places is sometimes full of unplanned motifs, light, weather or interesting people. It is here, in unknown territory, that your experience and instinct, perfected over the years, shine through.
'the bridges'
What equipment do you use (camera, lenses, bag)?
What software do you use to edit your images? Can you tell us more about your workflow?
I photograph with a canon eos 5D markIII and the canon 24-105 mm basic lens, which is the one I use most along with the sigma 35 mm and sigma 120-400 mm. The 24-105 mm is an all-round lens that I find excellent and of sufficient quality for street photography.
In the field, I take most of my shots with the multi-exposure setting at 5, maybe more, up to 9, which is the maximum the camera allows. In addition to the 5 that the camera automatically combines, I always take another single of the same subject.
On the PC, I combine the automatically stitched photos with the single shot and add a soft texture of my choice. I do all this in Photoshop in layers, which makes it easier to add or remove elements with the eraser tool. I reduce the saturation of the photo slightly and then add it back in places with the sponge tool. I add some noise (grain) at the end if necessary.
From time to time I also take photos using the intentional camera movement (icm) technique, where you move the camera while the shutter is open. I also take another shot with a shorter exposure time so that I can combine them later if necessary. The subject remains the same, of course.
With both techniques, success is not guaranteed on the first try. With experience, work and a bit of luck, it has to work in the end.
'..once upon a time'
Are there any specific directions you would like to take your photography and can you tell us about your future plans or projects you would like to be involved in?
No, I don't think so. The most important thing for me is to master the camera perfectly. That means changing settings almost blindly at any moment. It is only when all of this becomes subconscious and routine that you become the master of the moment.
'on the dark side'
What role has social media played in your photography?
I always give priority to professional media, websites that focus on good photography by the world's best photographers. Of course, every photographer, including myself, is aware that you can also increase your visibility through social media, which is used by a large number of people. And that's important, because photography needs an audience.
'run'
What is one question that no one has ever asked you that you wish they had?
It is difficult to give a definitive answer. And it depends on the genre of photography you create. I know that the average viewer doesn't really care how hard you tried to get a good shot. Maybe you stood for hours in the cold, or on the edge of a cliff, or in a dangerous building where you can only thank your luck that you came out without a scratch. At the end of the day, it's your passion and you'll sometimes go beyond yourself for a good photo. Maybe that's why photography is the most beautiful work of art.
Now that we are almost at the end of this interview, I would like to ask you to tell us how you discovered 1x and what you think of it as a home base for your work.
I had been visiting the 1x website every day for many years before I had the courage to join. In short, it is simply a daily dose of excellent photography.
Thank you for giving me the opportunity to introduce myself.
'Bridges'
'rainy day'
'rain man'
'on the stairs'
Sunny Lin PRO Unique style, unforgettable images, congratulations! |
Gabriela Pantu PRO Brilliant vision of the street stories, which are life stories, rich and captivating tapestries.Congratulations, dear Damijan, and thank you for sharing your thoughts.Thank you, dear Yvette, for this beautiful article! <3 |
Molly Fu PRO Your works are beautiful and special, excellent techniques and very artistic, congrats Damijan Sedevcic!!! Love this interview dear Yvette, thanks! |
Franz Engels PRO Wonderful, unique and artistic street photography. My compliments to the artist, Damijan Sedevcic! Thanks a lot also to Yvette for this inspiring article! |
Fantastic! |
Igor Kopcev PRO Excellent works of art! Congratulations! |
Excellent work of art!! Congratulations!!
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GukSeon Kim PRO Great pictures! Congratulations! |
Atul Saluja PRO Simply remarkable series of works in your portfolio Damijan. Congratulations on the feature! |
Excellent |