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by Yvette Depaepe
Published the 14th of October 2024
Chenyi Wang's conceptual still life work is unique. It is not just still life photography but food for the soul.
She quotes: 'The most important experience for me is to break out of my usual perspective and change the tools I use to create. To be honest, it's quite challenging. It's about making the images richer, deeper and more visually diverse, while at the same time creating a personal connection between the image and the viewer.'
She claims that photography has the power to lift people up, to motivate them to learn more and to explore new things and she is so right.
Let us wander together through her world and discover more about this fine lady artist.
静 – translation 'quiet'
When and how did your photographic journey begin?
I began my journey into still life photography in mid 2002. For most of the following months I devoted myself to emulating and learning from others, particularly their techniques of lighting, composition and colour coordination. However, I soon realised that the images I was creating were not resonating with me on a deeper, more personal level. It became clear that I needed to cultivate my own unique style of expression. What is it that I really appreciate when I look at a painting? Is it an expression of the present moment, a record of a series of thoughts, or perhaps a subtle form of self-deprecation? I recognised the need for transformation.
白和绿 – translation 'White and green'
For many of us, photography is either a hobby or a way of life. How would you define your relationship to photography?
Photography is a great friend of mine. I think it gives me warmth during the hard days, and even when I'm at a low point in my life, it fills me with hope and confidence. Photography has the power to lift people up, to motivate them to learn more and explore new things. When someone does something they love, they really shine, don't they?
What would you say is the most important experience that has influenced your steps in photography?
I've gotten used to following a fixed shooting pattern to create my images. So the most important experience for me is to break out of my usual perspective and change the tools I use to create. To be honest, it's quite challenging. It's about making the images richer, deeper and more visually diverse, while at the same time creating a personal connection between the image and the viewer. That's what I'm going through now - the challenges I need to overcome and the areas where I need to push myself.
破碎 – translation 'broken'
You have your own style of creating exquisite conceptual still life photographs. Can you explain why you are so drawn to this type of image?
What actually motivates me to make these photographs? I want the viewer to pause for a few seconds when they look at the picture and have a question in their mind: "What exactly is she capturing?" My photographs are not conventionally attractive. There is a little story - when my mother sees them, she often says, "Chen, what are you photographing? Why are the pictures so dark?" But then she adds that they make her think. I want my work to carry a thought, a concept, a mood, or even a desire for freedom. They are not perfect, much like ourselves - full of mysteries waiting to be explored, with multiple possible interpretations. I like it when, when looking at my photographs, an inner voice asks, "What am I seeing?" There is no definitive answer, only the process of observation.
空间 – translation 'space'
冥想 – translation 'meditation'
What is more important to you, the mood/story behind your images or technical perfection?
When the time comes, you have to learn to accept and adapt. There are moments when I feel that I cannot go on with my photography. Looking at the props in front of me, I feel no inspiration. The creative process is a journey from conception to realisation - that is the structure. Within that journey, achieving something meaningful is the theme. Adding elements of interest or a unique touch is what brings artistry to the work. The whole process of photography is about managing the relationship between structure, meaning and art. Along the way, various challenges inevitably arise. At such moments, it is necessary to reassess the intended subject, let go of previous concepts and, if necessary, start again.
游戏 – Translation 'game'
'Facing the unknown'
What is your relationship to your subject matter in general, beyond being an observer?
Every photograph has a theme, something that helps the viewer understand the photographer's original intention. People tend to look at a work and wonder if it has meaning. Just like in life, if you have a theme, you have direction. The art of living often shines through the ideas that a picture suggests. The fleeting emotions of real life are revealed through the characteristics of the subject being photographed. Although life is short and limited, we can still take the time to enjoy the happiness it brings. For me, the theme is about an inner dialogue - balancing clarity and blurriness, strength and weakness, highs and lows. It's about focusing on being natural and spontaneous, keeping things simple and real, with a bit of peace, a bit of fun and a bit of reflection.
'space and time'
Do you prepare the places you want to photograph carefully?
The place where I shoot is a small studio I set up in my garage. It's filled with props I've collected, photo lights I've bought, and a few small tables for shooting. Whenever I feel inspired or have an idea, I go there and start setting things up. It doesn't always lead to great results. Sometimes I sit there quietly for over an hour, just staring at the props, unable to turn the ideas in my head into reality, which can be quite frustrating.
'combination'
Describe your general photographic vision.
That is a very interesting question. The term "horizon" originally referred to the limit of our visible world. In photography we can observe, remember and reflect. Through the lens we can interpret time and space. I believe it is essential to cultivate a habit of curiosity. Constantly updating one's photographic concepts and techniques aims to expand the horizons of what we know. As we grow, we internalise many established ideas, and our cultural background provides a specific perspective for our thinking. However, we must constantly remind ourselves not to be limited by our own perspective.
时空里,自由的行动是完整的自我 – translation 'In time and space, free action is the complete self'
Could you please tell us more about your workflow from idea to final product?
I've set myself a small task: to shoot one or two still lifes each week. Each day I spend some time thinking about the details of the shoot, capturing random thoughts, fleeting moments and sparks of inspiration. When an idea comes to me, I make sure to write it down for future reference. The process starts with jotting down any ideas or inspirations that come up. Next, I go through several rounds of lighting adjustments and prop arrangements, experimenting until I'm satisfied. The third step is the actual shooting, and finally I use Photoshop for post-production to achieve the final result I'm after.
'relationship'
Where do you look for inspiration and what inspires you most?
Inspiration can be said to come from within; it's the space perceived by our inner senses. What we observe is not just the object itself, but the relationship between the object and ourselves. This connection begins with the feelings evoked by our experience of seeing - feelings rooted in everyday life, film, music and art. Our 'vision' and 'senses' precede words, and sometimes it's impossible to define them with simple language. My aim is to capture this feeling in my photographs - it's as simple as that. It is this idea that inspires and motivates me.
缩水了 – translation 'Shrink'
'exist'
Many people think that the equipment is not very important when the passion for photography is strong. But could you please tell us what equipment you use (camera, lenses, lighting, tripod, etc.)?
I use a Nikon camera, usually with a 50mm prime lens and a 24-70mm zoom lens, along with a standard tripod for shooting. For indoor still life photography, this equipment is more than adequate.
现实与美好 – translation 'Reality and beauty'
What is your favourite photo? Please tell us the story behind it.
Using familiar objects as part of my photographic language, Lost is one of my favourite works. Although this image may seem ordinary, it was the first time I truly and fully expressed my emotions in that moment. The chair, balloon and rope represent myself, hope and perseverance, and the connection between them. We face setbacks and our hearts may feel lost, but reality reminds us that this feeling is temporary. By moving forward and persevering, each step brings us closer to the light and ignites the fire within. The blue-grey tones in the photo are intended to convey a sense of mystery and dreaminess within a calm atmosphere, enhancing the overall mood.
失落 – translation 'Lost'
独自 – translation 'Unique'
Who are your favourite photographers or mentors whose work has influenced you and your photography?
There are many photographers I admire, in a variety of styles, but I tend to favour those whose work inspires me, who have a sense of exploration and independent creativity. I've been lucky to have two mentors: Alex Zhao in 2019 and Bingo Z in 2022. Their ideas, from enlightenment and rationality to exploration and innovation, have had a crucial influence on me.
Alex Zhao's philosophy is that what we see in the world is only an insignificant fragment, and the world before us is unfathomable. With a sense of awe, one must integrate personal wisdom into the language of photography. On the other hand, Bingo Z's work explores themes of poetry, fantasy and the subconscious, which resonates deeply with me. His images, detached from mundane concerns or set in a dreamlike realm, use the delicate interpretation of the soul to breathe new life into the original subject, transforming it completely.
Learning is a long-term process. The development of imagination, the investment of emotion and the integration of intellectual projection all require continuous learning of the knowledge and skills of photography.
牵挂 – translation 'care'
站得紧紧的 – translation 'Stand tight'
Is there anything else you would like to add and what do you think of 1X as a home base for your work?
Thank you for the opportunity to participate in this interview. Since I joined 1X in November 2022, I have had the opportunity to meet many talented photographers. Their work, creative journeys and reflections on their experiences have given me a whole new perspective. It has also given me the opportunity to showcase my own work. Thank you very much!
Thank you for your enriching answers, dear Chenyi.
 | Write |
 | John Fan CREW Congratulations! |
 | Igor Kopcev PRO Very nice works of art! Thanks for story! |
by Editor Miro Susta (mirosu)
Edited and published by Yvette Depaepe, the 11th of October 2024
As announced in previous article, here are some selected historical sites, buildings, and other structures are presented in word and pictures.
PETRA
The undoubtedly most striking historical attraction in Jordan is a “Rock City” Petra – a historical city carved into the red sandstone - located in the Wadi Musa valley.at an altitude between 800 and 1350 meters above sea level in the southern part of the country, around 230 km south of Amman and 125 km north of Aqaba.
Petra is a UNESCO World Heritage Site and one of the Seven Wonders of the World.
Treasury By Night by Karsten Wrobel
Founded in the third century BC, Petra was inhabited by the Nabataeans, who chose Petra as the capital of their kingdom. Originally, the area was intended to serve as a sacred burial site at the boundary of the three valleys of Wadi al-Arab.
Over time, however, the city's location proved ideal for trade, among other things, and for several centuries trade was even the main activity that kept Petra thriving or declining. This era was only brought to an end by a series of devastating earthquakes, after which almost all the inhabitants left the city. Only the Bedouins remained, and they hid the city from the world for a long time. ‘Petra’ comes from the Greek and means “rock” or ’stone’.
SEGOVIA MEDIEVAL CASTLE
The Alcázar of Segovia (Segovia Medieval Castle) from the early 12th century is one of the most famous medieval castles in the world and one of the most visited monuments in Spain.
'Segovia Medieval' by Helena Garcia Huertas
Twenty-two kings and some of the most important personalities in history have passed through its rooms. It is a symbol of the historic centre of Segovia, which was declared a World Heritage Site by UNESCO in 1985.
GREAT WALL
The Great Wall of China, which has been a UNESCO World Heritage Site since 1987, is visited by millions of people every year, making it one of the most popular monuments in the world. The Great Wall of China is the only man-made structure that can be seen from space. Over the course of almost 2,300 years, millions of people engaged in building the wall. Some, especially in later times, voluntarily, most of them under pressure.
'Great Wall sunrise' by Hua Zhu
The Great Wall begins in the east at the border between China and the Russian part of Manchuria and ends on the Silk Road in the Gobi Desert. Its origins date back to the third century BC and it reached its peak during the Ming dynasty between the 14th and 17th centuries.
During the Ming Dynasty, bricks were used as the main building material in addition to stone. The bricks were fired in special kilns at a temperature of more than 1000 °C for seven days. They were about four times bigger and stronger than the ones we know today. Their load-bearing capacity is comparable to reinforced concrete.
The Great Wall of China is not just one wall, in fact it is at least sixteen different walls which were defended by over 750,000 men. The United Walls of China are so long that they would connect the two poles of our planet. Their total length is around 21,000 kilometres.
Great Wall is one of the Seven Wonders of the World.
DERAWAR FORT
Derawar Fort is located in the Punjab province and is the second largest Fort in Pakistan. The Fort began construction in the ninth century. At that time, it comprised only a few defensive buildings surrounded by walls.
'Derawar Fort 2' by Sayyed Nayyer Reza
However, as tensions escalated in the region, Derawar Fort gradually began to grow. Today, its robust walls are up to 1.5 kilometres long. Around their perimeter are thirty-three bastions from which soldiers kept watch over the surrounding area.
PYRAMID OF GIZA
Pyramids of Giza belong to the most important historical sites in Egypt. They are located in the necropolis of Giza and are part of a series of ancient monuments that also include the Pyramid of Khufu, the Great Sphinx of Giza, and many others. For thousands of years, they were the tallest man-made structures in the world. Today, they are part of UNESCO's World Heritage Sites and considered to be one of the Seven Wonders of the Ancient World.
'Back in Time' by Kenneth Zeng
Here are some interesting facts:
Completion: Pyramid of Khufu: 2600 BC, Pyramid of Chephren: 2570 BC, Pyramid of Mykerinos: 2510 BC.
Height: Pyramid of Khufu: 138 metres / Pyramid of Khafre: 136 metres / Pyramid of Mycerinus: sixty-two metres
MACHU PICCHU
Machu Picchu is located132 km from Cusco, the oldest living city of the Americas and 9 km from hot springs of Aguas Caliente at an altitude of around 2,400 metres above sea level in the Andes mountains in South American Peru, built in years around 1450.
'Awakening' by Veselin Atanasov
For a long time, Machu Picchu was called the ‘lost city of the Incas’ because it was only ‘found’ in 1911 during an expedition led by the American archaeologist Hiram Bingham.
Today it is recognised as one of the 7 Wonders of the World and has been declared a UNESCO World Heritage Site.
TAJ MAHAL
Taj Mahal is a white ivory marble mausoleum located on the right bank of the Yamuna River in Agra, Uttar Pradesh, India.
Taj Mahal was registered an UNESCO World Heritage Site in 1983 because it is "a jewel of Islamic art in India and one of the universally admired masterpieces of world heritage". It became one of the Seven Wonders of the World in 2007.
The Taj Mahal was commissioned by Shah Jahan in memory of his wife Mumtaz Mahal, who died giving birth to their 14th child, Gauhara Begum.
'Taj Mahal' by Miro Susta
Taj Mahal interesting facts:
Taj Mahal is seventy-three metres high. It took 22 years to build (1632-1653). More than 22,000 workers and 1,000 elephants worked on its construction.
Various precious stones were brought from different countries of the world for the construction. For example, white marble stone was brought from Rajasthan, blue gems from Tibet, emeralds from Sri Lanka, jasper from Punjab and crystals were brought from China.
The Taj Mahal is a blend of Persian, Ottoman, Indian and Islamic architectural styles.
It is said that Shah Jahan wanted to build a black coloured Taj Mahal soon after the white one was completed. But his plans were defeated by his son Aurangzeb.
Taj Mahal means "crown of the palace".
HISTORICAL PRAGUE
City of Prague has been given many nicknames over the ages, the Petrified Beauty, the Golden City, the Hundred-Towered Prague, the Mother of Cities. History has brought influences from all over Europe over the centuries to Prague.
'Praha VI' by Juan Pablo de Miguel
Among the cities of the Czech Republic, Prague occupies a privileged position as a metropolis, a position it has held since the Middle Ages. Throughout its history, it has played a representative role and still retains its image as one of the most beautiful cities in the world. Prague's artistic, social, cultural, and political importance is reflected in its generous medieval foundation and its extraordinary architectural wealth.
'Charles Bridge' by Marcel Rebro
Many world-famous landmarks, such as Prague Castle, Charles Bridge with its towers, the National Theatre, the Rudolfinum, cubist buildings and countless churches and monasteries, are complemented by younger residential, commercial, and administrative buildings built over the centuries on both sides of the Vltava River.
Historic Centre of Prague has been declared an UNESCO World Heritage Site.
TEMPLE OF POSEIDON
Almost 2,500 years old, the Temple of Poseidon was built during the Golden Age of Athens in Sounion from 444 to 440 BC. It is believed that the architect who built the Temple of Poseidon also built the Temple of Hephaestus and the Parthenon.
'Temple of Poseidon' by Chris Kaddas
In Greek mythology, Aegeus, the king of Athens, committed suicide at Cape Sounion by jumping off the cliff by the sea where the Temple of Poseidon is located. Aegeus killed himself because he believed that his son Theseus had died in battle.
However, Theseus won the battle and survived, and after the Greeks defeated the Persians in 479 BC, the Greeks placed captured Persian warships in Sounion as a trophy dedicated to Poseidon.
BAGAN
Bagan is a sacred landscape that is home to an extraordinary variety of Buddhist art and architecture. With around 2,500 remaining temples and pagodas, the plain of Bagan forms the archaeological centre of the region and is the most important historical site in Myanmar.
'Sunrise Bagan II' by Wendy
The historical buildings extend over forty-two square kilometres and mostly date from the 11th to 13th centuries. The temples are still admired for their exceptional craftsmanship and unique architectural style.
Since 2019, Bagan has been an UNESCO World Heritage Site in the Mandalay region of Myanmar.
ST. PETER's BASILICA
St. Peter's Basilica at the Vatican is one of the largest cathedrals in the world. Its construction began in 1505 on the site of an earlier basilica dating from 324 and the alleged burial place of St. Peter. On 18 November 1629 it was consecrated by Pope Urban VIII. Completion work lasted until 1666.
'Vatican Sunset' by Jose Parejo
The Basilica is the work of many important architects and artists who contributed to its construction: Bramante, Peruzzi, Baldassare, Giuliano de Sangallo, Antonio de Sangallo the Younger, Carlo Moderno, Giacomo della Porta, Raphael, Michelangelo, Domenico Fontana, and Bernini.
Until 1990, when the Basilica of Our Lady of Victory in Ivory Coast was consecrated by Pope John Paul II, St. Peter's Basilica was the largest church in the world. It covers an area of 15,160 square meters.
The dome weighs 14,000 tons, the external height is 136 and the total length of the basilica is 212 meters.
AHU TONGARIKI
Ahu Tongariki, an assembly of fifteen majestic Moai statues, is the largest ceremonial site on Easter Island and in the whole of Polynesia. These monumental sculptures have been carefully placed on the Ahu platform altar, originating from the nearby Rano Raraku quarry.
'Ahu Tongariki' by Tomoaki Katsuba
The 900-year-old site has a turbulent history, with the most tragic event occurring on 23 May 1960, when a tsunami overturned the entire site and washed it inland! The moais, which weighed up to ninety tonnes, were pushed some fifty metres away! The tsunami wave, estimated to be eleven metres high, was triggered by a magnitude 9.5 earthquake off the Chilean coast near Valdivia.
JABAL AI AHMAR
Jabal Al Ahmar in Hegra, an UNESCO World Heritage Site, roughly translated as ‘The Red Mountain’ is located in the Saudi Arabian desert, close to the majestic Al-Ula Valley. Once an important trading hub for the Nabataean people, Hegra is now the centre of a groundbreaking project that combines science and art and introduces us to a Nabataean woman for the first time.
'Alula' by Hanaa Turkistani
The necropolis of Jabal al-Ahmar in Hegra is one of four surviving necropolis areas. It contains eighteen tombs, some of which have only recently been uncovered. The remains of a 2,000-year-old Nabataean woman, Hinatit, were filled with unusually well-preserved materials such as buried human remains - bones, skin and even hair - as well as textiles, leather, plant materials and other substances.
BOROBODUR
The Borobudur Temple, with 504 Buddha statues, is the largest Buddhist temple in the world and one of the most magnificent ancient Buddhist temples in Central Java, Indonesia. It is one of the most important archaeological sites in Southeast Asia and a UNESCO World Heritage Site.
Borobudur was built in the ninth century during the reign of the Sailendra dynasty and abandoned in the 14th century for reasons that remain a mystery to this day. There are many theories ranging from volcanic eruptions to the changing political and religious landscape that brought a turn to Islam in the region.
'Light Of Borobudur Temple' by Adnan Hidayat P
To this day, Borobudur serves as a pilgrimage site for Buddhists and is a central part of the annual Vesak festival, which celebrates the birth, enlightenment, and death of Buddha. It is interesting to note that Borobudur has survived numerous natural disasters, including earthquakes, which are common in the region due to Indonesia's location on the Pacific Ring of Fire.
ANGKOR WAT
Last in this article is the famous Angkor Wat in Cambodia - built by King Suryavarman II between 1113 and 1150 – it is considered the most famous historical buildings site in the region, if not in the entire world. The huge temple complex covers more than two hundred square kilometres and comprises around 1,000 different temples.
'Angkor Wat' by Tomoaki Katsuba
Although Angkor Wat does not rank among the seven wonders of the world, it is often referred to as the ‘8th wonder of the world’ due to its breathtaking beauty and historical significance. It is also recognised as a UNESCO World Heritage Site, further cementing its global significance.
The world is full of wonderful, mystical, fascinating, and highly interesting historical places that we might visit again in another article in the future.
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 | Thank you very much for including one of my photographs among all those beautiful images, it is an honor for me. Impresive article |
 | Miro Susta CREW You are most welcome dear Helena I love your wonderful photos, thanks for your praise. |
 | Izabella Végh PRO Mille grazie per questo articolo così ricco di fotografie e testo eccezionale. Tutti questi articoli sul sito 1x meriterebbero un libro, penso già da tanto tempo. |
| Miro Susta CREW Grazie mille per il tuo bel commento cara Izabella, la tua idea è davvero buona, ma sarebbe un libro molto grande. |
 | Kimberly CREW Wonderful article Miro, stunning images |
| Miro Susta CREW Many thanks for your nice words of encouragement dear Kimberly |
 | Extraordinario |
| Miro Susta CREW Much as gracias querido Eduardo |
 | Parole Kim PRO Excellent work, Thank you so much for sharing. |
| Miro Susta CREW Many thanks for your nice words of appreciation dear Parole |
 | Pang Teng Lin PRO Spectacular capture. Thank you for sharing. |
| Miro Susta CREW Thank you very much dear Pang Teng |
 | Thank you very much for sharing the wonderful photos with us ! |
| Miro Susta CREW You are most welcome dear Raymond |
 | Eiji Yamamoto PRO Thank you so much again for the wonderful article with great and beautiful photos! |
| Miro Susta CREW Many thanks dear Eiji, happy to see that you like it |
| | Igor Kopcev PRO interesting story! excellent woks! |
| Miro Susta CREW Many thanks for your appreciation dear Igor |
 | Sunil Kulkarni PRO Excellent article and excellent photos - love it |
| Miro Susta CREW Many thanks for your praise dear Sunil, happy to see that you like it |
 | What a feast for the armchair traveller! A marvelous collection worth a picture book. |
| Miro Susta CREW Many thanks for your great words of praise dear Mariuca |
 | Wanghan Li PRO Thanks a lot for your wonderful article and the selection of the beautiful, historic and amazing works! Learning. |
| Miro Susta CREW Many thanks for your great words of appreciation dear Wanghan |
 | FranzStaab PRO Wieder ein sehr interessanter Artikel und super Fotos. |
| Miro Susta CREW Vielen Dank für deine Anerkennung lieber Franz |
 | I loved the article and the accompanying images. Congratulations to all the photographers featured in the article and thank you so much for sharing so much beauty. |
| Miro Susta CREW Many thanks for your great words of appreciation dear Montserrat |
 | Hanaa Turkistani PRO such an epic photos, pleasent to the eye ans soul.. thanks for choosing my picture of Alula dear Yvette. |
| Miro Susta CREW Thank you very much for your nice words of appreciation dear Hanaa |
 | Roland Weber PRO Absolutely interesting and very good chosen photos.
I think, I need to travel more, much more...
Thanks for the inspiring article. |
| Miro Susta CREW Thank you for your kind words of encouragement dear Roland, hoping that you will find an inspiration for your future travels in our articles |
 | Izak Katz PRO Interesting article and nice images !! .
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| Miro Susta CREW Thnak you very much dear Izak. |
By Editor Peter Davidson
Edited and published by Yvette Depaepe, the 10th of October
We are introducing a new feature specifically for those shots that have been overlooked by our many mysterious and secretive curators for an Award.
Each Thursday, one shot from the current gallery of Published (but not Awarded) images will be displayed here in the Magazine. We hope you enjoy the images chosen and the authors gain some much improved visibility of their work. And who knows, whisper it softly, maybe one of these shadowy curators might have a softening of their cold dark hearts and even Award the image...
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 | Toon Maartense PRO this is worth an award |
 | 大山 儀高 PRO What an incredible sight! The finishing touch is excellent, and the atmosphere of this place is beautifully captured in the artwork. It’s truly an impressive piece. |
 | joanaduenas PRO Fantastic atmosphere!!!!!! |
 | Daniel Viñe PRO Big Congrats Sabine !!! |
 | Jolanda Pikkaart PRO So beautiful, like a part of a fairytale
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 | Amazing Sabine!! |
 | Park gi jong PRO 신비롭네요~!! |
| | Miro Susta CREW Wonderfully composed photo in mysterious atmosphere. |
by Editor Michel Romaggi in collaboration with the author Jangwook Lee
Edited and published by Yvette Depaepe, the 9th of October 2024
From the series 'Confessions of ambiguous days'
Could you start by telling us about yourself and photography?
I am an office worker who works for a company that develops computer programs and does business consulting. Sometimes I like to walk down the street and take pictures.
From the series 'Confessions of ambiguous days'
Can you explain the mysterious title of this series, 'Confessions of Ambiguous Days'?
I found the appearances of others living in the present in my duplicitous and hypocritical self. This is where the series began.
Things made by people you meet in the street, mannequins, posters, exhibitions, signs... and living people.
The series published on 1x.com are short thoughts from my diary that I post very spontaneously, a vague imaginary diary created by chance, improvisation and my paused steps. Sometimes I tell a story in one photo, sometimes I tell a story in several photos.
From the series 'Confessions of ambiguous days'
Why did you choose black and white?
Darkness can feel like death, fear and heaviness.
I think it was my desire to make light or white feel like a shallow hope that led me to choose black and white.
Could you tell us about the different steps you took to create this particular image?
From the series 'Confessions of ambiguous days'
I took this photo in Seongsu-dong Street, Seoul, South Korea.
I usually use a GR2, and occasionally a FujiFilm xf10 or a Canon 6D markII.
I buy clothes, I imagine how I want them to look, what's next?
I thought it was a tool to realise my hidden desires.
Secret desires that I don't want to talk about.
It doesn't take much time to post-process a photo.
Let me briefly explain the shooting method and the entire post-processing process.
Step 1
Shooting mode : Tva / Shutter speed : 1/30 / Aperture : F16 / Exposure : - 0.7 (Varies according to lighting conditions)
Step 2
RICHO GR2 > Multi-shot mode settings > on.
(To emphasize spontaneity and serendipity, I do not save images separately, but only save the final photo.)
Step 3
Filter shot to use as background
-. It depends on the environment.
-. Made with wrist snaps
Step 4
Shooting mode : Tva / Shutter speed : 1/50 / Aperture value : F16 / Exposure value : - 0.3
Take a picture of your first target.
Step 5
Shooting mode : Tva / Shutter speed : 1/30 / Aperture value : F16 / Exposure value : 0.3
Take a picture of your second target by overlapping it in a suitable place.
Step 6
This photo is a multi-shot of three shots. However, up to five shots can be taken if necessary.
Step 7
Candidate correction tools: Camera raw & Photoshop2021
It works by removing unwanted parts and adjusting the tone and contrast of the photo.
Thanks for your fine collaboration and interesting explanations, Jangwook Lee
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 | Tossu JEONG PRO Beautiful, emotional works ! congratulations and thank you for sharing. 축하드립니다 ! |
 | Kyoung Kyoo Choi PRO Congratulations ~^^ |
 | HAN dong hee PRO 멋진 사진과 팁들 잘보고 갑니다. 근사한 작품들 너무 멋집니다. |
 | Mi Young Choi PRO Congratulations on your great work !! |
| | Parole Kim PRO 축하드립니다🎈🎈🎈
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| | Park gi jong PRO 축하드립니다!!! |
 | Choi seong jin PRO 축하드립니다 |
by Yvette Depaepe
Published the 7th of October 2024
Through photography, Haruyo Sakamoto has discovered many new insights into her everyday life. She quotes: “I enjoy capturing moments based on intuition in the act of 'photographing'. When I photograph, I don't rely on complex theories or deep philosophies, nor do I think about complicated things. I simply appreciate the moment in front of me and follow my own feelings to press the shutter. This approach feels the most natural and comfortable to me. In the future, I want to continue to photograph freely, trusting my own perspective and enjoying the process.” Enjoy this journey through her work and learn more about this fine artist.
'One Summer Day'
Dear Haruyo, first of all I would like to thank you for taking the time to answer this questionnaire! First of all, please introduce yourself and tell us more about yourself, your hobbies or other projects you are involved in!
I live in Japan and have been photographing for about 12 years. My children have become independent and moved out, so now I live with my husband. Since I have a lot of free time, I often go out to shoot by myself and enjoy photography as a hobby. My husband and my daughter have sometimes helped me as models.
'With birds'
When and how did your photographic journey begin?
Before photography became a hobby, I enjoyed gardening. I used to take pictures of the flowers in my garden with my husband's compact camera, but I was captivated by the beautiful flower photos I saw online and decided to buy a DSLR. For the first 2 or 3 years I concentrated on capturing seasonal flowers, autumn leaves and cherry blossoms. However, with the advice of my photography teacher, I gradually moved from nature photography to portraiture. Later, I started posting my photos on Flickr and discovered the joy of sharing them with people all over the world.
'move forward'
'Traveler'
For many of us, photography is either a hobby or a way of life. How would you define your relationship to photography?
Through photography I have discovered many new insights into my everyday life. Through the lens of my camera, I have come to see artistic value in a single fallen leaf, a rusty door, a cracked wall and even the silently woven spider webs. I also enjoy noticing the changes in light and the shapes of shadows, which has made everyday scenes much richer.
'One rainy day'
'Art Park'
'Rainy day'
You have your own style, but your work is very diverse. I see architectural photography, but also some street photography. Can you explain why that is?
I don't have a particular genre that I'm attached to, as I find a unique charm in every genre. I've enjoyed photographing different subjects without sticking to one style. However, lately I've been concentrating on street photography. The reason for this is that I have a hip problem in both legs and although the pain has gone thanks to surgery, I still need a cane when I go out to shoot. There's a possibility that I may need a second operation in the future, which could temporarily limit my ability to walk. That's why I want to enjoy street photography while I still can.
'The Boy at the Festival'
'The Solemn'
What is more important to you, the mood/story behind your images or technical perfection?
I am very drawn to work that evokes a sense of narrative and atmosphere. Although I have yet to fully master the use of editing software, I sometimes use it to compensate for my lack of shooting skills.
'step by step'
In general, what is your relationship to your subjects, beyond that of an observer?
Do you prepare carefully the places you want to photograph?
I enjoy walking and photographing alone in unfamiliar cities, often capturing encounters with the unknown and serendipitous moments. I love the urban landscapes of towering buildings and the atmosphere of crowded alleyways, so I travel about two hours each way to places like Osaka and Kyoto. I also have a passion for photographing rainy scenes and have focused on the theme of 'rain' in my work.
'Early in the afternoon'
Untitled
Describe your overall photographic vision.
Photography is a vital means of self-expression for me and the only tool through which I can reflect my inner self. I want to expand my range of expression, cherish my own sensibility and perspective, and create unique work.
'Playing by oneself'
'pass each other'
Could you please tell us more about your workflow from idea to final product?
I enjoy capturing everyday, mundane moments and refining them according to my own vision. This process creates something that only I can express. When shooting, I prefer simple and artistic backgrounds. When I find such backgrounds, I plan the placement of people while waiting for passers-by to enter the frame. For post-processing, I use Lightroom Classic to adjust exposure and contrast, and I often use Nik Collection.
'After the rain'
Where do you find inspiration and what inspires you most?
Exploring unfamiliar cities is a source of inspiration for me. It provides the stimulation needed to take photographs from a fresh perspective.
Untitled
Many people think that the equipment is not very important when the passion for photography is strong. But can you please tell us what equipment you use (camera, lenses, lighting, tripod, etc.)?
Good equipment would be better, but most of my street photography is done with a compact camera. I bought a SONY DSC-RX100 I, attracted by its lightness, compactness, excellent AF and zoom functions. I have replaced it several times and am currently using the VII. On rainy nights I sometimes take my Canon EOS RP and a 35mm f/1.8 or .50mm f/1.8 single lens with me, but as I carry a cane, the compactness of the RX100 helps me on rainy days. I mainly share my photos online, but printing is limited to around A3 size, so the compact has done the job so far.
Untitled
What is your favourite photo? Please tell us the story behind it.
This photo was taken in a building in Tokyo. That day, after walking around Tokyo all day taking pictures, I was exhausted and finally found a chair to sit down and take a break. What caught my eye was the beautiful reflection on the floor. It was one of the many images I got so lost in that I took a lot of shutters!
'Reflection'
Who are your favourite photographers or mentors whose work has influenced you and your photography?
When I first started doing street photography, I came across the book 'Children the Year Around' (童暦) by Japanese photographer Shoji Ueda. I was deeply moved by the beauty of black and white photography and its poetic expression. It feels like the starting point of my photography. The passion for photography shown by my teachers has been very inspiring, and the time spent shooting and discussing photography with friends has been incredibly fulfilling.
'Living in the Water'
'Reflection'
Now that we have almost reached the end of this interview, I would like to ask you to tell us about your plans or photographic projects that you would like to participate in.
Fortunately, I will be participating in the 1x Artist Exhibition "This is it !”, which will be held in Tokyo next March.
Is there anything else you would like to add and what do you think of 1X as a home base for your work?
I enjoy capturing moments based on intuition in the act of 'photographing'. When I photograph, I don't rely on complex theories or deep philosophies, nor do I think about complicated things. I simply appreciate the moment in front of me and follow my own feelings to press the shutter. This approach feels most natural and comfortable to me.
In the future, I want to continue to photograph freely, trusting my own perspective and enjoying the process.
When I first encountered 1X, I was amazed by its beauty and deeply inspired, which created a strong admiration within me. As I continued to photograph, I set myself the goal of winning at least one award, which is how I connected with 1X. The platform has always been a place of learning and constant growth for me. It feels like a cornerstone of my photographic journey and I look forward to continuing to engage with the wonderful work on display at 1X.
I am grateful for the opportunity to be invited for this interview; it will be a great encouragement to me as I move forward. Thank you very much.
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 | Naoaki Miyamoto PRO It is a great pleasure for me to see an artist whom I respect featured in the magazine. Thanks dear Yvette！ Congratulations dear Sakamoto san!!
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| | Choi seong jin PRO おめでとうございます |
| | Eiji Yamamoto PRO Thank you so much for the wonderful article with great photos. It's very inspiring! |
 | Haruyo Sakamoto PRO Thank you from the bottom of my heart for that comment, dear Yamamoto! |
 | Molly Fu PRO Beautiful street photography collections dear Haruyo, congrats! Thanks dear Yvette for another excellent photographer presented! |
| Haruyo Sakamoto PRO Thank you so much for the kind words, dear Fu！ |
 | Colin Dixon CREW Stunning street photography thank you Yvette for bringing this amazing photographer to our attention and thank you Haruyo for your amazing eye and skills. |
| Haruyo Sakamoto PRO Thank you very much for your kind comment. I feel honored, dear Dixon! |
 | Kathryn King PRO Love this collection presented! Wonderful imaginative work so well done. I so enjoy the article, the interview, the images! |
| Haruyo Sakamoto PRO Thank you for your very kind comment, dear King! |
 | Yanyan Gong PRO Thank you very much Yvette for introducing an inspiring photographer. Congratulations, dear Haruyo! I admire your outstanding work and like your photography philosophy: 'appreciate the moment and follow your feelings to press the shutter"! |
| Haruyo Sakamoto PRO I love your photos. I am honored to receive your comment. Thank you so much, dear Gong! |
 | マガジン掲載おめでとうございます！素晴らしい作品の数々を堪能させて頂きました。 |
| Haruyo Sakamoto PRO Minagawa san コメントありがとうございます♪1Xでも素晴らしい作品拝見できるのを楽しみにしております。 |
 | Rana Jabeen PRO Dear Haruyo, wonderful interview and excellent works..
Congratulations for the feature and best wishes for your photography projects.
Thank you presenting the interview dear Yvette |
| Haruyo Sakamoto PRO Dear Rana, I am honored to receive such a wonderful comment. Thank you so much! |
| | Park gi jong PRO 축하합니다 !!! 깊이 빠져들게 되었습니다. |
| Haruyo Sakamoto PRO 감사합니다. 기뻐요. |
 | おめでとうございます。 |
| Haruyo Sakamoto PRO Wagatsuma san ありがとうございます♪ |
| | HAN dong hee PRO Congratulations. I admire your wonderful works. |
| Haruyo Sakamoto PRO Thank you for the kind comment, dear HAN! |
| Haruyo Sakamoto PRO Thank you for the kind comment, dear HAN! |
 | JUNKO TORIKAI PRO おめでとうございます。素敵な作品ばかり！マガジン掲載は当然ですね。 |
| Haruyo Sakamoto PRO JUNKO san 何より嬉しいコメントありがとうございます♪ |
 | Ryo Goto / 吾藤 亮 PRO Dear Hal
The five years I spent studying with you, a great artist, are a treasure for me. I have learned so much from you. I look forward to seeing more of your wonderful work at 1X. Congratulations and best wishes for the future.
From Ryo |
| Haruyo Sakamoto PRO Thank you so much for the excessive compliments!
Let's continue to enjoy our photography lives together, dear Ryo! |
| | 大山 儀高 PRO Each piece is truly remarkable. In particular, you can clearly sense the "story," which is the most important element in street art, in every work. It’s simply awe-inspiring. |
| Haruyo Sakamoto PRO I’m really happy that you praised my street photography. Thank you so much, 大山san! |
 | Rainer Neumann PRO Interessant Interview of a Great Artist! Amazing photos! |
| Haruyo Sakamoto PRO Thank you for your kind comment. It really encourages me, dear Neumann! |
 | おめでとうございます。改めて拝見しましたが、どれもお見事です。。。＾＾ |
 | Yvette Depaepe CREW Translation: Congratulations! I looked at them again and they are all amazing. |
| Haruyo Sakamoto PRO Tominaga san,コメント頂き光栄です。ありがとうございます♪このサイトは私にとって「憧れ」でしたのでとても嬉しいです。 |